Sometimes elaborate prose in Victorian novels is very well done. Other times it's a meandering mess that leaves you wondering "What's that supposed to mean?" This book doesn't just fall into the latter category, it dives headlong into it.
The Turn of the Screw is an 1898 novella by Henry James. It's been adapted into an opera, two ballets, and several films and miniseries.
The story begins when our nameless heroine accepts a job as a governess. Her employer asks her to take care of his niece and nephew, and to never contact him again. That should set alarm bells ringing at once. She takes the job anyway, only to quickly realise there's something sinister lurking in the house and targeting the children.
For some reason many readers think the story is very ambiguous. I can understand their confusion, since much of the writing is as clear as mud. But the actual plot is simple enough: ghosts are haunting the children. It baffles me to see academics trying to prove it's actually about the governess going insane. Why would anyone want to find a mundane explanation for a horror story when there's a perfectly good supernatural one?
What's even more confusing is the writing itself. Henry James was either paid by the word, or believed he should always use eighty words where one would do. (I haven't read any of his other works, so I don't know if he did this regularly.) If you took away all the digressions and needlessly-complicated passages you'd shorten the story to about two chapters -- and it would be all the better for it. The novella isn't very long, but wading through yet more dull passages that have nothing to do with the plot makes reading it a chore. After a while I gave up and skipped ahead to the parts that were actually about the ghosts.
By far the weakest parts are the characters and the ending. The characters have no personalities and are practically interchangeable. As for the ending, the governess drives one of the ghosts away and then Miles dies. For no reason. It ends there and you're left to wonder what the hell you just read.
This book is slow, plodding, and more than twice as long as it should be. As horror stories go I didn't even find it particularly scary. It's just plain dull.
Is it available online?: Yes, on Gutenberg.
Rating: 2/10.
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